martes, 10 de noviembre de 2009

Garden At Giverny


Giverny sits on the "right Bank" of the River Seine. The village lies 80 km (50 miles) from Paris, west and slightly north, on the border between the province of Normandyand the Île-de-France (it is officially in the département of Eure, in the région of Haute-Normandie).

Garden At Giverny was painted in 1900 by Claude Monet,It called Claude Monet's attention in 1883, who would move there his place of residence. In a beginning, he hired a house and his adjacent areas to a local landowner. Later, in 1890,
one better economic situation he would allow him to buy the house and to construct the impressive gardens that she wanted to paint.
The garden would be the scene of many of his more transcendent works, as the Nenuphars or the reservoir of the waterlilies and the Japanese bridge. The impressionistic teacher lived in Giverny from 1883 up to his death in 1926.

miércoles, 7 de octubre de 2009

My perspective



I always try to do some similiar like the original, and do a parody or some crazy.

Not everything what is reflected must be the reality of what one sees. Sometimes it can be slightly opposite, magic, or up to confusing to a painting with a mirror.

Jan van Eyck's work this flood of cruxes as already I them said previous mind.

In this picture i put my past creation, because I thought that if michelangelo's work was in the a bit better serious room and mas with the epoch though it is a very thin work, for a bourgeoises' house, but this is made by me.
thanks

lunes, 5 de octubre de 2009

The Arnolfini Portrait



Artist: Jan Van Eyck

Year: 1434

Type: Oil on oak panel of 3 vertical boards

Dimensions: 84cm x 60cm

Location: National Gallery. London

The Arnolfini Portrait is a picture full of cruxes as well as of beauty. In the marriage appears one of the members of the merchants' powerful family luqueses, the Arnolfini. The Arnolfini of this epoch that they could have married were two brothers: Giovanni and Michele. It is believed that the husband in this case is Giovanni, the gesture of the husband on having taken the hand of his wife implies social superiority before a woman, some investigators believe that it is Michele, that he married such a Elizabeth of unknown family, for what his gesture would be of protecting her and to introduce her in a social level superior to that of her cradle.

The inscription of Van Eyck in the wall of the bottom, in the most beautiful interlaced Gothic script. The inscription Eyck doesn't say that Van Eyck was painting the picture, but " Jan van Eyck was here ".


The mirror of the wall, which reflects two assistants at sight, one of which he looks like a painter (the one that is dressed in blue). The meticulousness of Van Eyck allows identifying not only the reflected figures, but also the adornments of the mirror: they are ten scenes with the Passion and death of Jesus Christ. Other symbolic elements that in the picture appear in the stay as simple dispersed objects for the room: the dog to the feet of the spouses indicates conjugal loyalty, the lamp with an alone flushed candle symbolizes the marriage, as also the sculpture of Holy Daisy in the handle of the bed, the hung bunch of the same bed symbolizes the fertility, and this way a large etc.

With regard to the wife, we will indicate the curious feminine mode that the ladies were taking: the forehead was cut and was making up with one; she touches in the shape of horns. The fashionable garment was provoking a deformation in the anatomy of the woman who made think that the handcuffed one was pregnant.


Bibliography:

http://foro.elaleph.com/viewtopic.php?t=10127

http://en.wikipedia.org/wiki/Arnolfini_Portrait

http://www.nationalgallery.org.uk/paintings/jan-van-eyck-the-arnolfini-portrait

jueves, 10 de septiembre de 2009

La creacion de toño y el skate


Esta pintura se le hace llamar "la creación del skate" fue creada en 2009 por el famoso pintor Antonio Mendoza en el que él se hace un autorretrato acompañado por Dios en el cual le entrega la chispa de la vida en forma de patineta para crear este deporte tan excitante y extremo, magnifico, puro, donde un salto se puede convertir en una hermosa obra de arte.

En la pintura se aprecia como el cielo y la tierra no están tan lejos como todos lo creen, se aprecia la unión de estas dos magnificas obras de artes llamadas "cielo y tierra" así se puede deducir que Dios y el hombre pueden tener un vinculo muy cercano.

Nace, Vive, Patina y muere....

Por: Antonio Mendoza.

miércoles, 9 de septiembre de 2009

"La creación"

Ok Charly, va de nuevo.
La pintura de Michaelangelo es algo que me hizo sentir como un menos presio de Dios, en la forma en la que podemos ver a Adan de indiferencia y sin darle tanta importancia, encambio Dios se acerca mucho y desea estar cerca del ser humano apesar de que este peca y se aleja de Él.

Adan fue creado, y Dios esta rodeado de querubines, y con su brazo derecho se ve una figura femenina la cual hace pareser a Eva, la cual espera en los cielos a ser mandada a la Tierra.
A pesar de que Adan puede tocar el dedo de Dios, no lo hace se queda a esperar a que Dios lo toque para crear la chispa de la vida.

martes, 8 de septiembre de 2009


i somethig think, what is the meanin of art,art is like a feling who makes in your a reali special fealig,for my the skate, photo skates, decks, shoes, caps,hats, shops, skateparksmake me feel a reali fealing in my insite,y practic skate board 1 year a go,in this picture i see one trick, when one ofmy friens do, in the backside is a castle and a castle represent midle age, is one of mi pasions too,I like the combinacion of the two.I like much much and very much the skate photos, it s stop the time when you do a trick and see one part of your tick.thanks.Skate or die